This was the Scribble Crew, a popular graffiti collective in North Omaha, Nebraska, circa 1992.

When I was a teenager there was a powerful creative force in my neighborhood called the Scribble Crew. “Scrib,” aka Houston Alexander, was this dude at my high school who had intense design aesthetic and who could pull together people around graffiti, if nothing else. The Crew’s work was spread around my area of the city, with random gang tagging happening over and around it. Until I came along. 

When I was 14 I took the tag names “Paz” and “Modem Chi.”

Now, I wasn’t an accomplished artist, and I wasn’t that prolific. But I had a little talent, and with some targeted art I made a little bit of a name for myself. Oh, in the late 80s I watched Wild Style and Beat Street, and took what I was doing seriously enough to practice in the back yard, on the margins of school books, and by doing tags of friends names for $.50 a piece for a long time. It paid for extra milk and candy bars at the pawn shop. Needless to say, I was into graffiti.

I got busted a few times because I had teachers who suspected me, and people in my neighborhood who tried to catch me, and a girlfriend whose name I scrawled across more than one wall figured out my secret identity quick. But only once did the flashing lights catch up with me, and when the search beams peeled across our house they were looking for me. When they found me they let me go.

This is Inconvenient for Adults

Graffiti can represent one form of what I call “inconvenient youth voice.” These are the voices of young people who are urgently struggling to be heard, and whether or not adults like or appreciate what is being said, these young people are going to be heard.

The kid marking on the bathroom stall, that crowd outside the class complaining about how bad that teacher is, the girl who drops out because she hated school, and the dudes throwing bottles at the old church because they’re pissed off at God are all examples of inconvenient youth voice.

The youth member who says the “wrong thing” at the meeting, the young representative who brings 10 friends instead of one, and the 19-year-old who insists on starting that school despite being told no a million times…

All of these are examples of inconvenient youth voice. I shared a lot of it myself when I was young, as we all did – because we all want to be heard. The general inconvenience of my youth was that I didn’t believe I needed to be heard – instead, I just wanted to get the words or art or action out there, no matter what. Sure, some people spent time painting their personal property after I tagged it, and taxpayer dollars were spent cleaning up the streets I scrawled on years after I put it down. But I wasn’t thinking about it – I was doing it.

People who are committed to the meaningful engagement of young people throughout society need to work with young people to find and create and explore and examine new ways to engage disengaged youth, and new ways to make inconvenient youth voice constructive, if not always appreciated or “appropriate.”

The argument about the legitimacy of grafitti continues still today, more than 30 years after the art began in earnest. Luckily, some headway is being made. According to a New York Times article, in New York City, a strange collection of police officers and graffiti artists sat down for a conversation.

Check that out. In the meantime, think about the ways you can embrace inconvenient youth voice.

That’s our job.

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Published by Adam

Adam F. C. Fletcher helps organizations engage people more successfully. Contact him by calling (360) 489-9680 or emailing

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  1. Great article. I think this is a concept that we tend to ignore. We are all embarrassed or “inconvenienced” by the raw voice of young people sometimes and we should find ways to allow constructive, productive and positive ways for this communications to occur.

  2. I used to carry cans of paint for a friend in H school, way back in the day. We never got caught. And being by his side as the art on the streets transferred indoors to a local hospital, and peoples homes, was epic. Today he is a well sought out tattoo artists in Philly and has his art work displayed vividly on sides of large buildings. It is so important to erase the stereotypes around hip-hop and graffiti artists and assure that there is a place for this in our communities. Anyone have a wall to spare?

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